Kisah-kisah sendu dan pendapat tentang buku yang sengaja dikongsikan untuk memeriahkan suasana sendiri. 🦋
No One Would Do What The Lamberts Have Done by Sophie Hannah
A Beautiful and Terrible Murder by Claire M. Andrews
Set in 1872, this story takes us to Oxford University, divided into two colleges: All Souls, reserved for the most brilliant men chosen once a decade to compete for Queen Victoria’s favor with Sherlock Holmes and James Moriarty among them. And Lady Margaret, where women finally gain a foothold in academia.
At the center is Irene Adler, living a double life as Isaac Holland. The illegitimate daughter of opera singer and courtesan Elena Adler, Irene is unwillingly brought from France by her father into the shadow of the Moriarty name. Despite the suffocating misogyny of the era, she rises as one of Oxford’s sharpest minds.
But brilliance soon gives way to horror. Students begin to die one by one, their deaths increasingly suspicious, rattling Oxford to its core and casting a heavy fog of dread. Someone is framing both Isaac and Holmes, and Irene suddenly finds her every move under scrutiny. Red herrings abound so many that at times I felt overwhelmed, even as the pacing kept me turning the pages. Holmes doesn’t stand out much here, but that’s understandable given the focus.
Overall, A Beautiful and Terrible Murder delivers atmosphere, suspense, and intrigue in abundance. Though the sheer number of red herrings may test your patience, the tension of Irene’s double life and the gothic Oxford setting kept me hooked until the end.
Sound Like Love by Ashley Poston
I really enjoyed this one! It's a mix of celebrity trope, small-town charm, and a dash of magical realism. Sounds Like Love is a fun romcom that balances humor with emotional depth. It’s not overly spicy, but it still gives you all the feels, and it’s hard not to root for Joni’s romance from the very beginning.
Joni Lark is a songwriter who once penned hit songs, but after her mother’s illness, the music just stopped flowing. Returning to her hometown of Vienna Shores, a small vacation town, she finds herself torn between staying to care for her mom, who now struggles with dementia, or chasing her old dreams in LA.
Then something unexpected happens. Joni starts hearing a man’s voice in her head. Not just a voice, but a melody like an earworm she can’t shake. The two of them are somehow linked in this strange telepathic connection. Their attempt to finish the song together, and the fact that they can hear each other’s thoughts, had me smiling through the pages.
What really stood out for me was how the story explores dreams, family, friendship, and finding joy even in the hardest moments. Joni’s relationship with her mother was heartfelt and genuine, and I was touched by how the story shows that it’s never too late to set new goals or ask the right questions about where life is leading us. 4.5 ⭐
Detective Aunty by Uzma Jalaluddin
Detective Aunty is a cozy, lighthearted murder mystery with an amateur sleuth, small-town charm, and just enough twists to keep you guessing.
An unlikely detective is Kausar Khan, a woman in her fifties who suddenly finds herself thrust into an investigation when her daughter, Sana, is accused of murder. One phone call drags Kausar back into her old neighborhood, where she must face not only the suspicion circling Sana but also her own grief for her late husband and son.
Sana’s landlord, Imran Thakur, is found stabbed to death in her shop. He wasn’t well-liked, but the police are quick to assume the worst when they find Sana’s clothes covered in blood and the murder weapon belonging to her. Instead of treating her as a witness, they charge her with first-degree murder.
However, Kausar refuses to believe her daughter capable of such a crime. With curiosity, and a knack for asking questions no one else dares to, she starts piecing together clues alongside her quirky sidekicks.
I loved how Uzma layers the story with more than just the mystery. Themes of culture, grief, and even marital betrayal weave into the plot naturally, giving the book real emotional depth. I personally felt the ending was a little rushed and less satisfying than I’d hoped but that’s just my view, not a flaw in the writing.
Overall, Detective Aunty is a warm and witty mystery that balances heartache. I’ll definitely be waiting for the sequel to see if the missing X factor comes into play.
The Second Chance Convenience Store by Kim Ho-Yeon
After seeing so many good reviews, I was thrilled to finally dive into The Second Chance Convenience Store and it did not disappoint!
At the heart of the story is Mrs. Yeom Yeong-Sook, a retired teacher who has always lived with quiet dignity and kindness. One day, after losing her wallet, she meets a homeless man named Dokgo who returns it to her, safe and untouched. Though he refuses a reward, she offers him a lunch box from her convenience store. That small gesture sparks an unexpected friendship.
Dokgo, struggling with memory loss from alcohol-related dementia and emotional trauma, slowly reveals a thoughtful, capable soul beneath his rough exterior. When her night shift employee quits and the store begins to struggle, Mrs. Yeom takes a leap of faith and hires Dokgo.
What follows is a quiet, beautiful transformation. Not just in him, but in everyone around him. Through trust, kindness, and second chances, Dokgo finds purpose, and the story gently reminds us that it's never too late to start over.
I absolutely loved the message behind this book. It’s a simple, easy-to-read story that flows effortlessly from one page to the next. Some parts are predictable, but in the best way possible. You can see where the story is going, but that just makes the journey feel like a comforting hug.
In the end, it’s not about the plot, but about the feeling it leaves behind: hope, compassion, and the reminder that it’s never too late to grow or to change a life with kindness. 4⭐
Cinta Terbelah di Laut Merah by Ilham Mazalan
Kalau harap plot dramatik cepat berkembang, memang boleh terasa macam tak ke mana pada awalnya. Dua watak utama, Sevgil dan Shihab, adalah pelajar Malaysia di bumi Mesir. Mereka datang dari latar belakang dan cara fikir yang berbeza. Penulis banyak ambil masa membina watak, suasana, falsafah, dan idealisme.
Konflik mula kelihatan apabila ayah Shihab meninggal dunia dan dia pulang ke tanah air. Sevgil hilang arah, pelajarannya terganggu dan tenggelam dalam kemurungan. Kepada Marsha, Harris dan Syed tempat dia berkongsi rasa. Walau pun peribadi sahabatnya itu dipandang sinis masyarakat sekitar tapi di sinilah erti persahabatan diuji. Aku sendiri tersentak ketika Sevgil mendedahkan pengalaman buruk di asrama yang meninggalkan trauma mendalam. Babak ini membuka mata, menjelaskan mengapa dirinya begitu rapuh, dan di situlah aku rasa Sevgil adalah mangsa pengkhianatan.
Babak bersama Dr. Noha, psikiatri yang merawat Sevgil, muncul sebagai salah satu adegan paling signifikan. Dialog dan interaksi di sini bukan sekadar terapi, tetapi juga menjawab persoalan mengapa Sevgil menjadi dirinya yang penuh dengan kerentanan. Di sinilah karya ini menampilkan sisi keberanian, menyentuh isu kesihatan mental.
Dan akhirnya, pertemuan Sevgil dengan Seth di Gunung Sinai benar-benar menyentuh hati. Ia hadir sebagai alegori penuh makna, menyempurnakan perjalanan panjang Sevgil. Endingnya tuntas menutup naratif dengan begitu baik. Secara keseluruhan, Cinta Terbelah di Laut Merah bukan sekadar kisah cinta dua insan. Ia sarat dengan renungan tentang dunia, politik, sejarah, pencarian makna hidup, dan yang paling penting, hubungan manusia dengan Tuhan.
Petaka Bakteria by Mohd Kasim Mahmud
The Cut by Richard Armitage
The story begins in the quiet village of Baron Mallet, where a group of so-called friends, Annabel Maddock, Ben Knot, David Patel, Chris and Lynette Davis, Catherine Maddock, and Mark Cherry, spent their youth together. But behind the facade of friendship lay cruelty. Mark was the constant target of their bullying, and no one ever stood up for him.
Then tragedy struck. Annabel was found dead at the abandoned mill. The investigation dragged on for nearly a year, but the truth was never fully uncovered. David Patel was convicted. Annie’s blood on his clothes sealed his fate. Yet the murder weapon was never found.
Thirty years later, “The Mill Killer” is finally released on parole. At the same time, a Hollywood director arrives in Baron Mallet to film The Cut, a movie meant to dig into the town’s buried secrets. But this isn’t just another horror flick. Instead of cheap scares, the film reimagines the tropes of the eighties slasher, turning them into something far more unsettling and layered. And someone behind the production seems to know exactly what happened all those years ago.
The past refuses to stay buried. Ben, who once dated Annabel, now finds his career, his family, and his secrets under threat as the cameras roll. Revenge, guilt, and the scars of bullying intertwine in a story that blurs the line between fiction and reality.
The Cut is not a neat revenge tale, it’s messier. At times the pacing drags, but the novel lingers because it reminds us of a chilling truth: bullies don’t change. They thrive on arrogance and power, not conscience. The only way to stop them is to stand up, say no, and refuse to let them define you.
Emma On Fire by James Patterson & Emily Raymond
I started Emma on Fire with completely the wrong impression of what I was about to read. While I’ve never read any of James Patterson’s YA collaborations before, I was curious and somehow, despite my mixed feelings, I finished it.
Emma Blake, seventeen, is the model student at Ridgemont Academy, straight-A grades and community leadership. But behind the privilege lies deep tragedy. Her mother died when she was young, and the grief she once shared with her sister, Claire, became even heavier after Claire’s sudden death, an apparent suicide after years of therapy and instability.
With a distant father who prefers to throw money at problems rather than talk, Emma’s grief becomes tangled with anger, blame, and the need to be acknowledged. Then comes a shocking twist, she pledges to self-immolate in protest of the state of the world. Her recorded confession goes viral, drawing national attention and unsettling everyone around her.
Emma’s voice in the novel is intense, though at times repetitive, and her motivations remain partially in shadow, an unresolved thread that left me questioning what truly drove her. This isn’t the straightforward YA drama I expected. It’s darker, heavier, and raises difficult questions about grief, protest, and how far someone will go to be heard.
Korban by Crystal Anabella
A Murder In Paris by Matthew Blake
Recovered memories represent a complex phenomenon, with the potential for both the genuine recall of traumatic events and the construction of false memories. It’s crucial to approach this topic with sensitivity, recognizing its capacity for both healing and harm. When renowned painter and Holocaust survivor Josephine Benoit confesses to a decades-old murder, claiming she once killed a woman with her same name at the Hotel Lutetia in 1945 to steal her identity, everything fractures. Her granddaughter, Dr. Olivia Finn, insists her grandmother’s memory has been unreliable for years but the confession sets off a chain of events too disturbing to ignore.
Not long after, Josephine is murdered.
At first, it seems like a tragic coincidence. Why would anyone kill her now, so many years after the war and over a confession that might not even be real? But as Olivia begins digging, it becomes clear, this isn’t just about an old crime. Despite the pervasive distrust, Olivia embarks on a journey to uncover the truth and find clarity amidst the confusion.
I found myself pitying both, Josephine and Olivia. They are grappling with fractured relationships, hidden agendas, and the unsettling feeling that those around them are not who they seem.
It’s a bit draggy at times, but it almost feels intentional, pushing you to sit with the weight of what’s being unearthed. The alternating narrators and short, punchy chapters kept me hooked. The themes of memory, trauma, and the unreliability of perception, with a focus on uncovering secrets from the past, are quite similar to the author’s previous work, Anna O. 4 ⭐
We Are All Guilty Here by Karin Slaughter
I don’t even know how to put this into words. I’ve only read one book by Karin Slaughter before, and I wasn’t expecting this. Not this level of emotional devastation. We Are All Guilty Here grabbed me by the heart, tore it out, and made me feel every beat of these characters’ pain and I cried real tears for them like they were people I knew irl. I still can’t stop thinking about them.
Set in the small town of North Falls, where everyone’s in everyone else’s business, the nightmare begins when two fifteen-year-old girls, Madison Dalrymple and Cheyenne Baker, vanish. Their bikes are found abandoned. There’s blood at the scene, then drugs and stacks of cash are found in their room. Evidence that raises more questions than answers. The town turns savage.
But for Officer Emmy Clifton, this case is personal. Madison is the stepdaughter of her best friend, Hannah. Emmy carries the guilt like a second skin and it only deepens when the girls are found dead, brutally bruised. The killer vanishes without a trace. No evidence. No DNA. Just a red herring. The case is also known as the Broken Angels.
Twelve years later, North Falls is dragged back into its darkest memories when another teenage girl vanishes. With history repeating itself, Emmy is forced to reopen wounds she never truly healed. She must face the trauma she buried, the secrets the town tried to forget, and the haunting possibility that the killer never left.
This book isn’t just a psychological thriller it’s a deep dive into the fractures of human nature. Slaughter masterfully pulls apart each character’s layers, exposing raw emotion, deep flaws, and the domino effect of every choice.
And the ending is twisted, gut-punching, and utterly unforgettable. We Are All Guilty Here is an emotional roller coaster wrapped in a murder mystery, which is dark, gritty, and so well-crafted it hurts. Karin Slaughter nailed it. 5⭐
Pengabdian by Hasrudi Jawawi
Marble Hall Murders by Anthony Horowitz
Even though I haven’t read the first two books in Susan Ryeland’s series, The Marble Hall Murders reads like a masterfully layered standalone. Everything you need to know is threaded so cleverly into the narrative that you never feel lost only drawn deeper into its web.
It all begins with Marble Hall, the eerie, imposing family estate where the cracks in a legacy first began to show. It was there that Miriam Crace, one of the UK’s most celebrated children’s authors, died under what was officially ruled as natural causes. But her grandson Eliot Crace didn’t believe that story. He was convinced she’d been murdered by someone in the family.
Just like Alan Conway before him, Eliot was crafting a murder mystery that mirrored real life. A continuation of the Atticus Pünd detective novels, and also a symbolic confession, a ticking time bomb of truth wrapped in fiction. He planned to reveal his grandmother’s killer through the pages of his book.
But he never got to finish it. He got killed in a hit-and-run on the night of her twentieth death anniversary.
The layers here are extraordinary, a book within a book where the inner mystery bleeds ominously into the real world. And once again, Susan Ryeland now Eliot's editor, finds herself entangled in a deadly puzzle. She’s already paid the price for Alan Conway’s twisted tales: she’s lost her career, her reputation, even her peace of mind. Now, with Eliot’s death, she’s not just involved - she’s the prime suspect!
I am obsessed with this book. The premise is pure genius. Atticus Pünd is a deliciously Poirot-esque detective, every clue and line of deduction gripping. But it's Susan's struggle, the betrayals, the danger, the desperate search for truth that gives the story its heart.
This is what a murder mystery should be, smart, bold, twisty, and always one step ahead of the reader. The Marble Hall Murders is easily one of the best books I’ve read this year. 5⭐
Fair Play by Louise Hegarty
Surely this is a parody. That was my exact thought halfway through this book and judging by the Goodreads reviews, I’m not the only one who felt this way.
To be clear, I finished the book. Out of sheer stubbornness and morbid curiosity. But I really tried not to write something negative. Unfortunately, this story simply doesn’t make sense. To put it plainly, the book is overly dramatic in all the wrong places, and deliberately ambiguous in a way that feels more evasive. I have no issue with classic, even cliche, murder mystery tropes. But here, the writing, plot progression, and overall execution fall short.
The premise had potential though. Abigail hosts a murder mystery game for her brother Benjamin’s birthday. A group of close friends and mutual acquaintances gather for the New Year's Eve event, but by morning, Benjamin is found dead behind a locked door.
Part Two introduces Auguste Bell, a consulting detective and mystery writer who declares this a classic locked-room mystery with a closed circle of suspects. The setup is pretentious. Everyone has a motive, and while it’s officially ruled a suicide, Bell believes otherwise.
The plot is disjointed, characters blur together, motivations are unclear, and the pacing stumbles between overexplaining and underdelivering. It feels like an attempt to mimic Agatha Christie without her finesse, restraint, or insight.
To be fair, there are a few glimpses of atmosphere and tension that hint at what this story could have been. And the ending left me more confused than intrigued. If you've read it, I’d love to hear your thoughts. Perhaps there’s something I missed. But for me, what on earth did I just read? 😂
To The Dogs by Louise Welsh
At first, To the Dogs sounds like a gripping academic thriller. Professor James Brennan is a well-respected criminologist trying to escape his father’s shadow, but things quickly spiral out of control. Just as he’s being considered for a top university position, his son gets arrested again for drugs. Then a Chinese graduate student goes missing, an old friend-turned-lawyer named Eddie Cranston offers help Brennan doesn’t seem to want, and a former student named Becca steps in with help that feels a little too convenient.
There’s a lot going on such as university politics, shady deals, hints of espionage but I often found myself lost. The characters are distant, their motives unclear, and the emotional connection just wasn’t there for me. The tension between Brennan and Eddie is never fully explained, and Brennan’s wife feels more like a background character.
While the book explores some deep themes like corruption, moral decay, and one man’s fall from grace, it didn’t fully land for me. To the Dogs has a strong setup, but in the end, it felt like a puzzle that never quite came together. A promising thriller that loses its way under the weight of too many subplots and too little emotional payoff.
The Devil Three Times by Rickey Fayne
It all began when the Devil fell to Earth. In this bold, symbolic reimagining, the Devil isn't just a destroyer of mankind but he's on a mission. Haunted by his fall and desperate for redemption, he steps into the world not as a tempter, but as a reluctant guardian, seeking one last shot at earning God’s mercy and salvation. Watching over a bloodline that begins with a young African woman named Yetunde.
Her journey is harrowing. Captured and shipped across the ocean, she finds herself at the Laurent plantation, where Jean Laurent, the Ofay master, takes an unusual interest in her. While she wonders if he intends to marry her, his true intentions are far more complicated. From their union, twin children are born, Lucille and Asa. Asa, born with light skin is taken from his mother and raised in the Laurent house as heir, a cruel echo of slavery’s twisted legacy.
This is where the Devil enters again at moments of trauma, turning points, and impossible choices. He becomes an unseen presence throughout generations, his appearances marking pivotal moments in the Laurent family’s cursed legacy. From Yetunde to her descendants, each generation bears the weight of pain, secrets, and spirits who are unable to cross over.
At its heart, this novel is part origin myth, part gothic fable, and part cautionary tale. It plays with religious themes boldly, sometimes even irreverently, casting the Devil in a role more complex than pure evil. The idea of him as a redeemer, a force of justice, almost reads like satire or a spiritual parody.
As a Muslim reader, I found myself both intrigued and cautious. While the story is gripping and layered with symbolism, I had to remind myself that its spiritual framework doesn't reflect our beliefs. It's fiction and demands a critical eye.
Still, if you enjoy stories that challenge the idea of good and evil, that blur the lines between myth and morality, and that center the deep wounds of generational trauma, this book is a haunting ride you won’t forget.
The First Gentleman by James Patterson and Bill Clinton
Not bad at all. In fact, I was pleasantly surprised. While the plot may seem straightforward at first glance, it’s anything but predictable. Twists creep in when you least expect them, and before you know it, you’re racing through the pages. What I loved most was the brisk, fast-paced storytelling with short chapters that kept the momentum sharp. The courtroom scenes are absolutely gripping and thank god this is a standalone!
Set against a backdrop of political power plays, The First Gentleman dives deep into themes of corruption, dark money, sabotage, and jealousy. It all begins with two investigative journalists, Garret Wilson and Brea Cooke, working on a book that could explode into a national scandal. Their target was none other than the First Gentleman of the United States, Cole Wright.
Their investigation uncovers a chilling allegation that Cole may have been involved in a sexual assault seventeen years ago during his college days. His date that night, Suzanne Bonanno, mysteriously vanished and was never found. What starts as a search for truth and justice soon spirals into a dangerous political firestorm with death threats, actual deaths, and a relentless attempt to bury the past.
President Madeline Parson Wright, caught between loyalty to her husband and her position as the most powerful woman in the country, is unwavering in her belief in Cole’s innocence. But with every move Garret and Brea make, the stakes get higher and the enemies get deadlier.
The First Gentleman is a tightly wound political thriller that balances suspense with emotional depth. I couldn’t put it down. If you're into political intrigue, courtroom drama, and relentless suspense, this is a must-read. 4 ⭐
Tomb of Sand by Geetanjali Shree
At first, Tomb of Sand caught me completely off guard. I expected something like magical realism but by the time I reached Part II, everything clicked into place.
The story centers around Chandraprabha Devi, affectionately known as Ma, an octogenarian woman drowning in grief after the death of her husband. In Part I, she seems surrounded by the love of children, relatives, and friends who constantly try to lift her spirits. But then, suddenly, Ma disappears. Her vanishing throws everyone into a spiral of sympathy and worry. When she’s found, nothing about her is the same again.
Part II is where Ma’s life takes a dramatic turn, and we see her forging new connections, particularly with her children, Bade and Beti, who’ve long been defined by their own roles and struggles. One of the most unforgettable characters is Rosie Bua, Ma’s hijra friend, who bursts into the story with wit, warmth, and a mysterious sense of urgency. She briefly steals the spotlight only to leave behind a lingering sadness when her life ends too soon. I couldn’t help but wonder about the deep story of their friendship.
Then comes Part III, the most powerful and moving section of all. Ma’s decision to cross the border with her daughter, Beti, is more than a physical journey. It’s an emotional and symbolic act of healing. The novel subtly delves into the complex history between India and Pakistan. But this isn’t a dry historical retelling. It’s intimate and raw, seen through Ma’s own trauma and memory.
This is exactly why Tomb of Sand deserves the Booker Prize. It takes on weighty themes such as grief, identity, aging, gender, and the echoes of history and transforms them into a poetic, experimental narrative. The third-person narration gives voice not just to people, but even to objects like cane, shadows, and crows which speak and reflect the surreal beauty of the story. And amidst all this, there are moments of humor and lightness, philosophical musings, and scenes that may seem trivial but linger in the heart. It’s not an easy book but it’s a beautiful one. And I’m grateful and reignited my love for translated literature most unexpectedly. 4.5 ⭐