I started Emma on Fire with completely the wrong impression of what I was about to read. While I’ve never read any of James Patterson’s YA collaborations before, I was curious and somehow, despite my mixed feelings, I finished it.
Emma Blake, seventeen, is the model student at Ridgemont Academy, straight-A grades and community leadership. But behind the privilege lies deep tragedy. Her mother died when she was young, and the grief she once shared with her sister, Claire, became even heavier after Claire’s sudden death, an apparent suicide after years of therapy and instability.
With a distant father who prefers to throw money at problems rather than talk, Emma’s grief becomes tangled with anger, blame, and the need to be acknowledged. Then comes a shocking twist, she pledges to self-immolate in protest of the state of the world. Her recorded confession goes viral, drawing national attention and unsettling everyone around her.
Emma’s voice in the novel is intense, though at times repetitive, and her motivations remain partially in shadow, an unresolved thread that left me questioning what truly drove her. This isn’t the straightforward YA drama I expected. It’s darker, heavier, and raises difficult questions about grief, protest, and how far someone will go to be heard.